Reference Lists in Progress:

• Vampires--A list of vampires who appear in the series.
• Zombies--A list of zombies and identifying information about them.
• Lucard's Employees--People who work for Lucard, whose names and/or positions we know.
• Deaths--Who dies, who did it, & how.
• Vampire Characteristics--Characteristics exhibited by vampires in the "Dracula" universe.
• Lucard's Ties--All Lucard's ties, and other wardrobe elements, too!
• Lucard's Likes--Things Lucard likes.
• Lucard's Shakespeare Quotes--Shakespeare lines Lucard and Klaus have quoted, and their correct references.
• Characters' Cars--A list of cars belonging to Eileen, Gustav and Lucard
• Lucard's Art Collection--A detailed list of items found in Lucard's art collection.
• Lucard's Castle Interiors--A detailed list of rooms in Lucard's castle.

Note: Episodes 19 and 20 both involve unreal sequences; items which emerge from them, as they can't be trusted or are actually untrue, are marked with an asterisk.

Thanks to Sarah T. for providing additions to many of the lists for episodes 7-20!

Vampires: All vampires, their "masters," and relative ages.

1. Alexander Lucard/Dracula. Master: unknown (he doesn't have one, does he?). Approximate age: 559. Visual age: early thirties. (Eps. 1-21)
2. Klaus Helsing. Master: Lucard. Approximate age: 43. Visual age: early thirties. Time as a vampire: 13 years. (Eps. 3, 6, 18, 20 & 21)
3. Arthur Bauer. Master: Lucard. Approximate age: late 30's (was one of Gustav's students 15 years ago). Time spent as a vampire: 20 seconds. Now dead. (Ep. 3)
4. Dr. Benedict. Master: Lucard. Approximate age: 35. Time spent as a vampire: about two days. Now dead. (Ep. 4)
5. Nosferatu. Master: unknown. Approximate age: unknown; implied that he is older than Lucard. Visual age: mid-thirties. May or may not now be dead. (Ep. 5)
6. Dr. Gloria Cross. Master: Nosferatu. Approximate age: early thirties. Time as a vampire: about two days. Still undead. (Ep. 5)
7. Amelia Yeager. Master: Klaus. Age unknown, as we never actually see her. Her husband is retired, though, so she may be in her 50's or 60's. Time as a vampire: a few days. As far as we know, still undead. (Ep. 6)
8. Jonas Carey. Master: Lucard. Approximate age: somewhere in his eighties or nineties. Visual age: hard to tell with the makeup, but perhaps in his thirties or forties. Time as a vampire: "over sixty years." Now dead. (Ep. 7)
9. Eileen Townsend. Master: Lucard. Approximate age: mid-thirties. Time as a vampire: one day. Now mortal again. (Ep. 8)
10. Harold (aka "Carl Brewer"). Master: Lucard (probably). Approximate age: unknown. Visual age: early forties. Time as a vampire: unknown. Now dead. (Ep. 8)
11. Lane Zorro. Master: unknown (but not Lucard, "he's not [his] type."). Approximate age: late thirties or early forties. Time as a vampire: roughly one week. Now Bunnicula. (Ep. 9)
12. Contessa Dolores de Suarez y Suarez. Master: unknown. Approximate age: unknown. Visual age: late twenties. Time as a vampire: unknown. Still undead. (Ep. 10)
13. Capt. Ari Wolf. Master: Lucard (probably). Approximate age: unknown, but probably similar to visual age. Visual age: mid-forties. Time as a vampire: unknown. Still undead. (Ep. 11)
14. Julia Heisenberg. Masters: Capt. Wolf and Lucard. Approximate age: late twenties. Time as a vampire: is bitten at end of episode and is still undead. (Ep. 11)
15. Vincent. Master: Lucard. Approximate age: sixteen. Time as a vampire: a few days. Still undead. (Ep. 13)
16. Dr. Gabor Varney. Master: unknown. Approximate age: unknown, although Varney the Vampyre was published in 1847, which suggests that he is more than one hundred and fifty years old. Visual age: forties. Time as a vampire: unknown. Still undead. (Ep. 13)
17. Sophie. Master: Vincent, although Lucard "adopts" her. Age: fifteen. Time as a vampire: a few days. Returned to mortal form by water from Paquette Springs (Ep. 13, 14, *20)
18. Mrs. Pfenning. Master: Lucard. Approximate age: "middle-aged." Time as a vampire: about a year. Now dead. (Ep. 14)
19. Ted Singleton. Master: Lucard. Approximate age: early forties. Time as a vampire: bitten at end of episode and still undead. (Ep. 15)
20. Lawrence Lei, aka "Alfred." Master: unknown. Approximate age: unknown. Visual age: late twenties. Time as vampire: unknown. Still undead. (Ep. 16)
21. Unknown (an opera singer). Master: unknown. Visual age: mid-twenties. Actual age: approximately 225. Time as a vampire: approximately 200 years. Staked by Frederick Rilling. (Ep. 17)
22. Frederick Rilling. Master: unknown. Approximate age: unknown, but claims to be "centuries older than [Lucard]." Visual age: sixties. Time as a vampire: unknown. Now dead. (Ep. 17)
23. Chris Townsend. Master: Lucard. Age: sixteen. (*Ep. 20)
24. Maximilian Townsend. Master: Lucard. Age: ten. (*Ep. 20)

Zombies:
All zombies, their positions, their fates, and other identifying information.

1. Raymond, servant of Lucard (Ep. 1, ep. 3)
2. Unnamed male servant of Lucard #1 (Eps. 1 & 3)
3. Unnamed female servant of Lucard #1 (Ep. 1)
   Now dead: fell on stake during fight with kids. Note: Or is she a vampire? She has fangs (do zombies have fangs?) and seems to be the leader of the two male zombies. However, I put her on the zombie list because vampires on the series look sophisticated and intelligent, while she is a mess.)
4. Officer Maria Schmidt, servant of Lucard (Ep. 1)
   Former police officer; attacked by Lucard on the street and zombified to add to his collection. Has nice skin tone, according to Lucard
5. Felix, possibly Lucard's butler. (Eps. 10 & 16 )
6. Unnamed male servant of Lucard #2 (Ep. 12)
   Clonked on the head by Max and later destroyed by Lucard with vampire gun.
7. Peter, servant of Lucard (Ep. 14)
   Subverted by Mrs. Pfenning although he later returns to his old loyalty. Staked by Lucard.
8. Unnamed male servant of Lucard #3 (Ep. 14)
   Also subverted by Mrs. Pfenning, attacked by Peter and staked by Lucard.
9. Unnamed third-rate zombie made by Lawrence. (Ep. 16)
   Lucard orders Felix to "liquidate" him, although we don't see this actually happen.
10. Herr Blusen's delivery boy, another of Lawrence's zombies. (Ep. 16)
    Destroyed by Cross of Magyars when he stumbles into the Helsing home's entryway.
11. Unnamed male servant of Lucard #4, waits on Amber. (Ep. 17)
12. Edward, who holds the drinks tray for Lucard (Ep. 19)
13. Unnamed male servants of Lucard #5 and 6 (*Ep. 20)
    Chased out of the room by Lucard when he falls ill.

Lucard's Employees:
People who work for Lucard, whose names and/or positions we know.

1. Raymond, zombie servant of Lucard (Ep. 1)
2. William, possibly Lucard's chauffeur: Lucard gives phone instructions for William to get the car ready for him (Ep. 2)
3. Dr. Benedict, developer of synthetic reflective surfaces and high-powered sunscreens; "promoted" to vampiredom by Lucard; now dead (Ep. 4)
4. Dr. Magnus St. John-Smythe, inventor of vampire gun; no longer in Lucard's employ (Ep. 4)
5. Gustav Helsing (in a cheap disguise), janitor at scientific research facility; resigned (Ep. 4)
6. Klaus Helsing. Klaus is seen working for Lucard at both the castle (Ep. 3) and at Lucard Industries (Ep. 6); it is unknown exactly in what capacity. Lucard seems to trust him to conduct secret rendezvous, banking deals, and an attempt to kill a pollution bill (Ep. 6)
7. Eileen Townsend. Lucard intends to put her "at the helm of [his] corporate finances"; in the meantime, he uses her in unspecified "business." (Ep. 8)
8. Harold. Impersonates the vice-president of the World Fiscal Network (whatever that is) and then acts as one of Lucard's thugs. (Ep. 8)
9. Pierre Marquette, in charge of Lucard's charitable giving, including his donations to the arts. Was probably killed by the Contessa. (Ep. 10)
10. Two random menacing-looking types who accompany Lucard to lunch. (Ep. 11)
11. Capt. Ari Wolf. Lucard's pet police officer. (Ep. 11)
12. Julia Heisenberg. Enters Lucard's service at the end of episode; will be a great help to him in the art world. (Ep. 11)
13. Mrs. Pfenning, Lucard's "new business manager" and former bank secretary. Now dead. (Ep. 14)
14. Greta. Possibly Lucard's secretary or receptionist. Never actually seen. (Ep. 15)
15. Ted Singleton. Enters Lucard's service at the end of episode; will give him "a foothold in the American market." (Ep. 15)
16. Jang Linster, Lucard's chef, "the finest in Europe." (Ep. 17)
17. Carolyn Elmhurst, aka "Amber Santana," in an unspecified capacity. (Ep. 17)

Deaths:
All deaths, including murder, suicide and accident.

1. Unnamed female zombie #1: falls on stake during fight with kids (Ep. 1)
2. Arthur Bauer: destroyed by the Cross of the Magyars (Ep. 3)
3. Dr. Benedict: destroyed by Max using Magnus St. John-Smythe's delayed-action vampire gun (Ep. 4)
4. Nosferatu: staked by Lucard, with Max's help (Ep. 5)
5. Klaus commits a "disturbing rash of homicides" but we don't know any of the victims' names, other than Amelia Yeager, whom he makes into a vampire (Ep. 6)
6. Jonas Carey: commits suicide with the stake Helsing gave him to fight Lucard (Ep. 7)
7. Harold (aka "Carl Brewer"): Gustav accidentally impales him on the handle of the door of the dungeon chamber (Ep. 8)
8. Unnamed female street artist: bitten by Lucard, presumably left for dead (Ep. 10)
9. Unnamed male servant of Lucard #2: Lucard successfully tests the new vampire gun on him (Ep. 12)
10. Two unnamed individuals, a sculptress in Prague and a film critic in Cannes: bitten by Lucard, presumably left for dead (Ep. 13)
11. Peter, the zombie: Staked by Lucard for tardy loyalty (Ep. 14)
12. Unnamed male servant of Lucard #3: Staked by Lucard for lack of loyalty (Ep. 14)
13. Mrs. Pfenning: Commits suicide by drinking holy water-spiked '44 Chateau Margaux she'd intended for Lucard, in order to cheat him of the satisfaction of killing her himself (Ep. 14)
14. The "concerned citizen" who accosts Lucard: bitten by Lucard, presumably left for dead (Ep. 15)
15. Unnamed zombie of Lawrence's creation: presumably destroyed by Felix, although this happens off-screen (Ep. 16)
16. Herr Blusen's delivery boy: destroyed by the Cross of the Magyars while delivering schnitzel that is neither hot nor steamy (Ep. 16)
17. The unidentified opera singer, staked by Frederick Rilling at Fort Thüngen (Ep. 17)
18. Teruzzi, aka the Great, resident of Frederick Rilling's old age home: bitten by Rilling and died as a result (Ep. 17)
19. Frederick Rilling: allows himself to be staked by Lucard in fight (Ep. 17)
20. Vampire Nazi major in Max's Casablanca-ish novel: staked by Rick/Chris (*Ep. 19)
21. Margo and Lance Burton: killed in plane accident arranged by Lucard (Ep. 19)

Vampire Characteristics:
The episode references refer to when the characteristic is first shown if it is common; if it unusual, they refer to all the episodes in which it appears. Note: It is unknown whether less powerful vampires are able to do all of the things Lucard can, so a few of the characteristics may not be universal.

• Fangs when vamped out (Ep.1)
• Pointy, long fingernails when vamped out (Ep. 1)
• No eyebrows when vamped out, sometimes (Ep. 1?)
• Cannot resist poppy seeds; absolutely mad about them (Ep. 1)
• Able to turn into a bat and fly away (Ep. 1)
• Cringe at the sight of a cross (Ep. 1)
• Steam and feel pain at contact with holy water (Ep. 1)
• When staked, glow, disintegrate into skeleton, and disappear (Ep. 1)
• Like to lift people by the collar/neck with one hand (Ep. 1, Female Zombie #1; eps. 4 & 5 , Lucard)
• Male vampires have yellow eyes when vamped out (Ep. 2; note: not true in ep. 1!)
• Female vampires do not change eye color when vamped out (Ep. 1)
• Able to laugh while in bat form (Lucard, ep. 1; Sophie, ep. 14; Klaus, eps. 6 & 18)
• Able to judge the time until sunset, to the second, merely by looking at the sun! (Ep. 2)
• Have control over the environment (I'll bet vampires less powerful than Lucard can't do all this!)
  Produce lightning and thunder (Ep. 2)
  Cause electric lights to flicker (Ep. 2)
  Cause weird vampire movie to appear on TV (Ep. 2)
  Make the telephone ring (Ep. 2)
  Make the radio wildly change stations (Ep. 2)
  Make the pages of a book flip (Ep. 2)
  Create a huge wind (Ep. 2)
  Make books fly off a shelf (Ep. 2)
  Make a closed door fly open by itself (Ep. 2)
  
• Leviate and float (Ep.2; Lucard floats through Max's upstairs bedroom window. Note that we don't usually actually see Lucard fly, so this is unusual. Ordinarily, he turns into a bat first or disappears).
• Great hand strength (Ep. 2: Lucard crushes a baseball to powder, saying, "It's all in the wrist.")
• Able to sense the presence of the Cross of the Magyars even before seeing it (Ep. 2; it was covered by a cloth)
• Cause the Cross of the Magyars to emit a bolt of electricity (Ep. 2; obviously, did not destroy Lucard), or a blast of fire (Ep. 3, Arthur Bauer: destroyed instantly in the usual vampire fashion) and zap them.
• Vulnerable to the vampire-repellent properties of the quinidrine solution: can be returned to human status by drinking solution (Gustav, although he had not fully become a vampire yet: Ep. 3), or be hurt by blue energy bolts produced by human drinker of the solution (Lucard & Klaus, ep. 3) in response to their presence. Note that humans are not hurt by said energy bolts (witness Chris). Effects from being zapped by energy bolts appear to be short-term.
• Able to appear and disappear wherever they desire (is there a limit?) in a flash of golden light and golden particles (Ep.3)
• Affected negatively (not specified in what manner) by wolfsbane (Ep. 4)
• Cringe at contact with garlic (Ep. 4 mentioned; ep. 5 evidenced)
• Affected negatively (not specified in what manner) by daylight (Ep. 4)
• Do not reflect in mirrors (except for "synthetic reflective surfaces"??) (Ep. 4)
• Have incredibly thick skulls... (Able to knock people out by clonking heads with them: Ep. 4)
• When hit by vampire gun (ray of concentrated sunlight), choke, shake like crazy, glow, disintegrate into skeleton, and disappear... eventually. (Ep. 4)
• Able to transform into the form of other people (e.g., Gustav, Max) in a cloud of grey smoke. Note: Nosferatu is the only vampire we ever see do this, and it is unknown whether Lucard has this ability. (Ep. 5)
• Able to disappear into blue smoke, leaving a cloud of rising grey smoke behind. Note: this disappearance style may be particular to Nosferatu. (Ep. 5)
• Able to disappear along with objects (Dr. Cross with a hearse, Ep. 5)
• Cannot leave grave if wild rose branches are placed there (this may only be true of a newly dead vampire victim who has not become undead yet; it is not specified) (Ep. 6)
• Able to slowly feed on a victim over a number of weeks (months?) before actually killing him or her (Klaus, ep. 6)
• Their buried treasure gives off a blue flame when there is a full moon on St. George's Eve (Ep. 6)
• When there is a full moon on St. George's Eve, must return to where they were first buried, to sleep (Ep. 6)
• Able to render someone unconscious by placing a hand over his or her face and pushing over backward (Lucard, ep. 6)
• Can be imprisoned by being surrounded with a circle of holy water (Ep. 6)
• Able to speak while in bat form (Klaus, ep. 6)
• Can cause a flickering image to appear on a movie screen (Jonas Carey, ep. 7)
• Can appear in a cloud of white smoke (Jonas Carey, ep. 7)
• Can move rows of movie seats out of his way with a wave of his hand (Jonas Carey, ep. 7)
• When staked, turn black-and-white and flicker out like an old film (Jonas Carey, ep. 7)
• Cannot be photographed (or filmed, apparently) (Eps. 7, 10 and 11))
• Can cast "curse" which makes it impossible to break a seal, although this curse will eventually wear off (Lucard, ep. 7, ep. 10, in which the curse is broken with holy water)
• Suffer from "never-ending" bloodlust--which can nonetheless be temporarily resisted (Ep. 7)
• Can "sleep" more than fifty years without drinking blood, experiencing no apparent adverse effects (Jonas Carey, ep. 7)
• Grow stronger with the passage of time (Jonas Carey, ep. 7)
• Have a particular relationship with "resting place" that makes them vulnerable to its destruction (Jonas Carey, ep. 7, Lucard, ep. 18)
• Are not vulnerable to protective talismans if invited into home by resident (Eps. 7 and 9)
• If they enter a house protected by a talisman while still human, are driven out (without being destroyed) as they change into vampires (Eileen Townsend, ep. 8)
• Can sense the presence of mortals nearby (Lucard, ep. 8; note that this is the only time he ever demonstrates this power, and it would make mincemeat of several other episodes' plots)
• Can be changed back into mortals by a conflict between their bloodthirst and love (Ep. 8, said to be extremely rare)
• If staked, a painting of a vampire will burst into flames (Lucard, ep. 8)
• Can turn TV on and off with a wave of hand (Lucard, ep. 9)
• Can communicate mentally with mortal psychics, even "drawing" them places (Lucard and Zorro, ep. 9)
• Can shoot blue lightning bolts (which don't necessarily have fatal effects) (Lucard, ep. 9, the Contessa, ep. 11)
• Anyone who finds one asleep in his coffin can destroy him without any danger (Ep. 9)
• Although they do sleep in coffins, they don't have to do so at any particular time of day or night (Zorro and Lucard, ep. 9)
• Possess varying levels of skill in transformation; can accidentally turn into an undesired form--such as a bunny rabbit--and get stuck in it (Zorro, ep. 9)
• If particularly weak or young, may reflect in mirrors and appear on film (Zorro, ep. 9)
• Cannot recognize other vampires at once (Lucard and the Contessa, ep. 10, Lucard, ep. 13)
• Will cross street to avoid church (Lucard, ep. 11)
• Can turn into large black dog (Lucard, ep. 11)
• Are destroyed immediately by new, improved vampire gun (Ep. 12)
• Become immediately, violently ill (and will ultimately die) from ingestion of a rare blood type that contains a particular antigen unless they are treated with clean water from the Paquette Springs. This illness involves a general dimunition of powers, loss of memory, outbreaks on the face, sweating, chills, and extreme physical weakness. (Ep. 13)
• Have been known to suffer maladies of some kind, even Lucard (Ep. 13)
• Can step in and out of thin air with an electrical effect (Varney, ep. 13)
• Have superior "sensory powers," reaction time, and control of nervous reactions (Lucard, ep. 13)
• Are subject to hypnosis (Ep. 13)
• When dying, throw wolves nearby into agitation (Lucard, ep. 13)
• Risk their health by living as Lucard does, "defying vampire nature," to wit, eating normal food, hardly sleeping, going out in the daylight, in addition to "creeping about the countryside biting everything that moves" (Ep. 13)
• Can communicate with each other telepathically, although not necessarily very distinctly (Ep. 14)
• Do not immediately lose their reflections upon becoming vampires (Ep. 14)
• Can learn certain skills (such as how to play the harpsichord) very rapidly (Ep. 14)
• If bitten by a vampire whose blood contains the anti-vampire antigen, can be restored to humanity by purified water from the Paquette Springs (Sophie, ep. 14)
• Are extremely nimble (Ep. 14)
• -Can be killed by consumption of holy water (Ep. 14)
• When they disintegrate, can damage their surroundings (Ep. 3, 14)
• Can develop a split personality which allows them to live as normal mortals, at least part of the time (Lawrence Lei, Ep. 16)
• Can be killed by a church-sexton's shovel (Ep. 16)
• Can be sealed into coffin by silver hammer and nail (Ep. 16)
• Can be driven away from graves by wild rose branches (Ep. 18)
• Can turn into a pile of ash (perhaps involuntarily?) (Klaus, ep. 18)
• Can be freed from holy water ring if someone breaks it (Ep. 18)
• "Could survive any explosion" (Lucard, ep. 18)
• As a result of exposure to Cross of Silesia, lose all powers and die within short order (can be prevented by wearing Silesian silk) (Ep. 18)
• Can plant suggestions in other vampires' minds (Lucard in Klaus's, ep. 18)
• Are capable of physical affection for mortals (the extent to which this is possible is left deliberately vague) (Lucard, ep. 19)
• Can drink cold, bottled blood (Lucard, *ep. 20)
• Are not affected by crosses (Lucard and the children, *ep. 20)

Lucard's Ties:
"Nice tie." All Lucard's ties, and other wardrobe elements (my specialty is collar styles). As Sarah T. points out, "I think it's, um, critical to keep track of Lucard's ties. After all, he is the power-dresser par excellence...but he has a relatively restricted wardrobe, as he dresses formally almost all the time. All that black and white! Not that it isn't gorgeous on him, but it is predictable. The tie (and on occasion--the vampire movie star episode, for example--the hat) is his one chance to express himself."

• Episode #1
  Outfit #1: Black trench coat & black fedora
  Outfit #2: Plain black suit; white shirt with European straight collar; black tie with oval white spots
  Outfit #3: Plain black suit; white shirt with Windsor spread collar; dark teal and amber tie
  Outfit #4: Double-breasted black suit; white shirt with winged collar; black bow tie
  

• Episode #2
  Outfit #5: Black pants with jacket off; white shirt with Cutaway spread collar (top button unbuttoned and sleeves rolled up!); burgundy suspenders with small gold medallion symbols and shiny gold adjustment slides & clips; burgundy tie that matches suspenders
  Outfit #6: Outfit #4 again, but with shiny black cape with tall stand-up collar
  

• Episode #3
  Outfit #7: Plain black suit; white shirt with winged collar; white bow tie
  

• Episode #4
  Outfit #8: Plain (I think) black suit; white shirt with Varsity spread collar; black tie with gold streaks
  Outfit #9: Double-breasted black suit; white shirt with Windsor spread collar; faun tie
  

• Episode #5
  Outfit #10: Double-breasted black suit; white shirt with Windsor spread collar and French cuffs; black cufflinks with gold outer rings; brownish, diagonally striped patterned tie
  Outfit #11: Outfit #10 again, but with light grey tie
  Outfit #12: Black tuxedo with white waistcoat; white shirt with winged collar and concealed buttons; white bow tie; shiny black cape with tall collar and red lining
  

• Episode #6
  Outfit #13: Double-breasted black suit; white shirt with Windsor spread collar; dark grey tie
  Outfit #14: Partially unfinished plain black suit (the jacket is being worked on by two tailors and is missing the sleeves); white shirt with Windsor spread collar and French cuffs; black cufflinks; black (or dark grey) tie; may be the same as outfit #13, merely with an unfinished jacket
  Outfit #15: Outfit #12 again, I believe.

• Episode #7
  Outfit #16: Double-breasted black suit; white shirt with Windsor spread collar; blue, navy and amber tie with shaded stripes (somewhat ugly)
  Outfit #17: Outfit #12 again
  Outfit #18: Outfit #13 again (how boring, Alexander!)
  

Lucard's Likes:

• Rap (especially Young M.C.), Hip Hop, and some Ska, at least so he tells Chris. (Note: If you are curious about what on earth "ska" is, try this link to What is Ska?) (Ep. 1)
• Poppy seeds (Ep. 1)
• Mozart's Mass for the Dead (Ep. 1)
• Riding his exercise bicycle (Ep. 2)
• Terrorizing the Helsing home (Ep. 2)
• Max (at least I think so!) (Ep. 2, Ep. 5)
• Quoting Shakespeare (Ep. 3; See list below)
• Throwing things into his fireplace (Ep. 4)
• Winning seems to put him in an awfully good mood... (Ep. 5)
• Democracy (Ep. 7)
• Vincent van Gogh and his paintings, particularly the portrait of himself (Ep. 8)
• Eileen as a vampire (Ep. 8)
• Popcorn with just the right amount of butter and salt (Ep. 9)
• Tomassi's "Venice Landfall" (Ep. 11)
• His shrinking room (Ep. 12)
• Dr. Varney (although he can get very angry at him) (Ep. 13)
• Blood, even more than money (Ep. 13)
• The Dark Ages (Ep. 14)
• Sophie as a vampire, particularly her wit and her harpsichord playing (Ep. 14)
• Playing teacher (Ep. 14, 17)
• '47 Chateau Margaux (Ep. 14)
• '27 Veuveot (?) (Ep. 17)
• Wine-tasting sessions in general (Ep. 17)
• A "strong sense of family" (Ep. 17)
• Shakespeare in person--his jokes and his appreciation of beautiful women (Ep. 18)
• Aaron the Moor's death speech in "Titus Andronicus" (Ep. 18)
• Lawrence Olivier and George Raft (Ep. 18)
• Margo Burton (Ep. 19)
• The Duke of Wellington (Ep. 19)
• The Helsing clan (*Ep. 20)
• Cold blood as an after-dinner liqueur (*Ep. 20)

Lucard's (And Klaus's) Shakespeare Quotes:
All the Shakespeare lines Lucard and Klaus have quoted, and their correct references. Link to the original quotes in context and see for yourself--Klaus is better than Lucard at siting Shakespeare, oddly enough.

• "Hung be the heavens with black, yield day to night!" (Henry VI, Part One, Act: I, Scene: i, Line: 1). Lucard and Gustav say it is Henry V, and Klaus corrects them. (Lucard, ep. 3)
• "When he shall die / Take him and cut him out into little stars / And he will make the face of heaven so fine / That all the world will be in love with night / And pay no worship to the garish sun." (Romeo and Juliet, Act III, Scene ii, Lines: 18-25). Lucard says it's Act II, Scene iii, and Klaus corrects him. (Lucard and Klaus, ep. 3)
• "I shall do such things...what they are yet I know not, but they shall be the terrors of the earth!" (King Lear, Act 2, Scene iv). (Klaus, ep. 18)
• "Ay, every inch a king!" (King Lear, Act: 4, Scene vi). Lucard misidentifies it as Act 4, Scene v, and Klaus corrects him. (Klaus, ep. 18)
• "When I do stare, see how the subject quakes!" (King Lear, Act 4, Scene vi). (Lucard, ep. 18)
• "If one good deed in all my life I did, I do repent it from my very soul!" (Titus Andronicus, Act 5, Scene iii). (Lucard, ep. 18)

Ideas and Observations / Lucard's Home Page / lpetix@dpcc.com